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        "rendered": "<h4 class=\"wp-block-heading has-text-align-center has-cormorant-unicase-font-family\">una ricerca su un \u2018femminile plurale\u2019 di autrici e artiste che riraccontano l\u2019Odissea<br>una riscoperta dei personaggi femminili dell\u2019epos in prospettiva femminista<\/h4>\n\n\n\n<div style=\"height:20px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-d0b3c9c8 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<h3 class=\"wp-block-heading has-text-align-center has-cormorant-unicase-font-family\">l&#8217;ombrello\/cappello<\/h3>\n\n\n\n<p>Questo progetto \u00e8 l\u2019evoluzione di un rapporto conflittuale personale di Roberta Cortese con l\u2019epos omerico. Perch\u00e9 con tutto l\u2019amore per bellezza del linguaggio, forza inventiva e profondit\u00e0 archetipica dei miti della Grecia antica, risultava sempre pi\u00f9 difficile tollerarne il punto di vista patriarcale, in cui pure affonda le sue radici la nostra cultura odierna.<\/p>\n\n\n\n<p>La ricerca si concentra su opere di scrittrici e artiste contemporanee che si sono confrontate con la visione misogina dell\u2019epica omerica: sono altre&nbsp;<em>Odissee \u2013 femminile plurale<\/em>. Partendo dal presupposto che l\u2019Odissea \u2018originale\u2019 \u00e8 nata da una serie di racconti pi\u00f9 antichi in cui venivano narrate avventure di gente di mare, prende forma una nuova collezione. Partendo dall\u2019assunto che la tessitura era l\u2019unica forma di espressione artistico-narrativa consentita alle donne dell&#8217;antica Grecia e oltre (tutte le principali figure femminili dell\u2019<em>Odissea<\/em>&nbsp;vengono ritratte al telaio, non solo Penelope), l\u2019attivit\u00e0 della tessitura viene presa come motivo guida e metafora della scrittura:&nbsp;il tessuto diventa testo.<\/p>\n\n\n\n<p>Altro obiettivo di questo progetto \u00e8 quello di far rivivere l\u2019oralit\u00e0 del modello omerico, ossia la pratica di raccontare storie in forma metrico\/musicale ad un pubblico come forma inclusiva di fare esperienza della poesia. Piuttosto che in lettura solitaria, ciascuno nella propria tana, la poesia pu\u00f2 diventare un momento sociale e contribuire al processo di guarigione dall\u2019isolamento proprio di questi tempi.<\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<h3 class=\"wp-block-heading has-text-align-center has-cormorant-unicase-font-family\">i progetti derivati<\/h3>\n\n\n\n<ul class=\"wp-block-list\">\n<li>dal 2020 a oggi: una&nbsp;<a href=\"https:\/\/www.satyrikon.org\/it\/portfolio\/odysseiai-bibliografia-bibliographie-bibliography\/\" target=\"_blank\" rel=\"noreferrer noopener\">bibliografia al femminile<\/a>&nbsp;in costante evoluzione<\/li>\n\n\n\n<li>2024<em>\u00a0<\/em><a href=\"https:\/\/www.satyrikon.org\/it\/projects\/odissea-in-sei-sonetti\/\">Odissea in sei sonetti<\/a>, un cortometraggio da\u00a0<em>The Odyssey in Six Sonnets<\/em>\u00a0di Barbara Hamby, coprod. Satyrikon \/ MyBossWas<\/li>\n\n\n\n<li>2022:&nbsp;<a href=\"https:\/\/www.satyrikon.org\/de\/portfolio\/sex-lugen-odysseus\/\">Sex, L\u00fcgen &amp; Odysseus<em>,<\/em><\/a>&nbsp;performance di teatro immersivo musicale da&nbsp;<em>The Odysseus Poems<\/em>&nbsp;di Judith Kazantzis, coprod. Satyrikon \/ Odeon Theater<\/li>\n\n\n\n<li>2021&nbsp;<a href=\"https:\/\/www.satyrikon.org\/de\/portfolio\/odysseus-verstummt-nun-reden-die-anderen\/\">Odysseus verstummt, nun reden die anderen<\/a>, una call for videos e una mostra collettiva online in collaborazione con TheaterArche<\/li>\n<\/ul>\n\n\n\n<figure class=\"wp-block-image size-full\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" width=\"1280\" height=\"720\" data-attachment-id=\"4401\" data-permalink=\"https:\/\/www.satyrikon.org\/it\/odysseiai_purple_16-9\/\" data-orig-file=\"https:\/\/i0.wp.com\/www.satyrikon.org\/wp-content\/uploads\/2020\/12\/Odysseiai_purple_16.9.jpg?fit=1280%2C720&amp;ssl=1\" data-orig-size=\"1280,720\" data-comments-opened=\"0\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"Odysseiai_purple_16.9\" data-image-description=\"\" data-image-caption=\"\" data-large-file=\"https:\/\/i0.wp.com\/www.satyrikon.org\/wp-content\/uploads\/2020\/12\/Odysseiai_purple_16.9.jpg?fit=1024%2C576&amp;ssl=1\" src=\"https:\/\/i0.wp.com\/www.satyrikon.org\/wp-content\/uploads\/2020\/12\/Odysseiai_purple_16.9.jpg?resize=1280%2C720&#038;ssl=1\" alt=\"\" class=\"wp-image-4401\" srcset=\"https:\/\/i0.wp.com\/www.satyrikon.org\/wp-content\/uploads\/2020\/12\/Odysseiai_purple_16.9.jpg?w=1280&amp;ssl=1 1280w, https:\/\/i0.wp.com\/www.satyrikon.org\/wp-content\/uploads\/2020\/12\/Odysseiai_purple_16.9.jpg?resize=300%2C169&amp;ssl=1 300w, https:\/\/i0.wp.com\/www.satyrikon.org\/wp-content\/uploads\/2020\/12\/Odysseiai_purple_16.9.jpg?resize=1024%2C576&amp;ssl=1 1024w, https:\/\/i0.wp.com\/www.satyrikon.org\/wp-content\/uploads\/2020\/12\/Odysseiai_purple_16.9.jpg?resize=768%2C432&amp;ssl=1 768w\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\" \/><figcaption class=\"wp-element-caption\">Illustrazione di Roberta Cortese, con un grazie alle compagne di teatro qui al telaio con lei. Da sinistra a destra: Sophia Leu \u00e8 Nausicaa, Franca Penone \u00e8 Circe, Roberta Cortese \u00e8 Penelope, Simona Nasi \u00e8 Calipso, Elena Russo Arman \u00e8 Elena<\/figcaption><\/figure>\n<\/div>\n<\/div>\n\n\n\n<p><\/p>",
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