{
    "id": 5938,
    "date": "2020-12-04T14:08:05",
    "date_gmt": "2020-12-04T12:08:05",
    "guid": {
        "rendered": "https:\/\/www.satyrikon.org\/?post_type=portfolio&p=5938"
    },
    "modified": "2025-11-18T16:50:41",
    "modified_gmt": "2025-11-18T14:50:41",
    "slug": "odysseiai-bibliografia-bibliographie-bibliography",
    "status": "publish",
    "type": "portfolio",
    "link": "https:\/\/www.satyrikon.org\/it\/projects\/odysseiai-bibliografia-bibliographie-bibliography\/",
    "title": {
        "rendered": "Odysseiai – una bibliografia"
    },
    "content": {
        "rendered": "<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-08aa536d wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p class=\"wp-block-paragraph\">Questa bibliografia \u00e8 parte integrante del progetto di Roberta Cortese <a href=\"https:\/\/www.satyrikon.org\/it\/odysseiai-f-pl\/\">Odysseiai, f.pl.<\/a> ed \u00e8 composta principalmente da opere di autrici contemporanee legate all&#8217;<em>Odissea<\/em> di Omero, a cui sono state aggiunte in un secondo tempo anche opere legate all&#8217; <em>Iliade<\/em>. L&#8217;elenco \u00e8 in costante aggiornamento dal 2020 e comprende solo i testi effettivamente raccolti (in formato cartaceo o digitale), mentre i link portano ai libri disponibili in commercio &#8211; spesso riedizioni recenti. Essendo la maggior parte delle opere in inglese, sono segnalate anche le traduzioni tedesche e italiane. Le singole poesie si possono facilmente trovare online.<\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p class=\"wp-block-paragraph\">Nel corso della ricerca \u00e8 emersa una recente tendenza da parte di studiose di filologia classica a creare forme di scrittura &#8216;ibride&#8217;, in una commistione di saggistica e fiction. Questi testi sono stati raggruppati in una sezione a fondo lista e ad essi va fatta, purtroppo, una premessa: da un lato autrici di matrice accademica non necessariamente sono forti\/valide sul versante creativo\/narrativo e il risultato pu\u00f2 essere deludente da un punto di vista stilistico-formale; dall&#8217;altro una lettrice alla ricerca di informazioni fondate sull&#8217;argomento in questione potrebbe ritrovarsi facilmente delusa dal limitato approfondimento scientifico.<\/p>\n<\/div>\n<\/div>\n\n\n\n<div style=\"height:34px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<h3 class=\"wp-block-heading has-text-align-center\">Gli scaffali<\/h3>\n\n\n\n<p class=\"has-text-align-center wp-block-paragraph\" style=\"padding-right:var(--wp--preset--spacing--60);padding-left:var(--wp--preset--spacing--60)\"><a href=\"#odtrad\">Odissea: traduzioni<\/a><br><a href=\"#antol\">Poesia: antologie \/ poemi<\/a> \u00b7&nbsp;<a href=\"#poesie\">Poesia: singole composizioni<\/a><br><a href=\"#poemus\">Poesia: composizioni per musica<\/a> \u00b7&nbsp;<a href=\"#teat\">Teatro<\/a><br><a href=\"#narr\">Narrativa<\/a> \u00b7 <a href=\"#sagg\">Saggistica<\/a><br><a href=\"#saggrom\">Saggistica romanzata<\/a><\/p>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-08aa536d wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<h3 class=\"wp-block-heading\" id=\"odtrad\">Odissea: traduzioni<\/h3>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Homer, <a href=\"https:\/\/www.emilyrcwilson.com\/the-odyssey\" target=\"_blank\" rel=\"noopener\"><em>The Odyssey<\/em><\/a>, transl. Emily Wilson, New York &#8211; London, W.W.Norton, 2017<\/li>\n\n\n\n<li>Omero, <a href=\"https:\/\/www.einaudi.it\/catalogo-libri\/classici\/narrativa-classica\/odissea-omero-9788806219420\/\" target=\"_blank\" rel=\"noopener\"><em>Odissea<\/em><\/a>, trad. Rosa Calzecchi Onesti, Torino, Einaudi, 2014 [1963]<\/li>\n\n\n\n<li>&nbsp; &nbsp;&#8211; &nbsp; &nbsp;, <a href=\"https:\/\/lalepreedizioni.com\/prodotto\/odissea\/\" target=\"_blank\" rel=\"noopener\"><em>Odissea<\/em><\/a>, trad. Dora Marinari, Roma, La Lepre Edizioni, 2012<\/li>\n<\/ul>\n\n\n\n<div style=\"height:20px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<h3 class=\"wp-block-heading\" id=\"antol\">Poesia: antologie \/ poemi<\/h3>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Francisca Aguirre, <em><a href=\"https:\/\/www.tigresdepapel.es\/producto\/itaca\/\" target=\"_blank\" rel=\"noopener\">\u00cdtaca<\/a><\/em>, Madrid, Ediciones Tigres de Papel, 2017 [1972]<\/li>\n\n\n\n<li>Margaret Atwood, <em>Circe\/Mud Poems<\/em>, in <em>Selected Poems 1965-1975<\/em>, Boston, Houghton Mifflin Company, 1976;&nbsp;<em>Circe\/fango<\/em>, in A.A.V.V., <a href=\"https:\/\/www.marsilioeditori.it\/component\/marsilio\/scheda-libro\/3171497\/circe?Itemid=165\" target=\"_blank\" rel=\"noopener\"><em>Circe. Variazioni sul mito<\/em><\/a>, Venezia, Marsilio Editori, 2012<\/li>\n\n\n\n<li>H.D. [Hilda Doolittle], <a href=\"https:\/\/www.ndbooks.com\/book\/helen-in-egypt\/\" target=\"_blank\" rel=\"noopener\"><em>Helen in Egypt<\/em><\/a>, New York, New Direction 1974 [Grove Press 1961]<\/li>\n\n\n\n<li>Ulrike Draesner, <em><a href=\"https:\/\/www.penguin.de\/buecher\/ulrike-draesner-penelopes-sch-iff\/buch\/9783328603405\" target=\"_blank\" rel=\"noreferrer noopener\">penelopes sch()iff. postepos<\/a><\/em>, M\u00fcnchen, Penguin Verlag 2025<\/li>\n\n\n\n<li>Louise Gl\u00fcck, <em><a href=\"https:\/\/www.harpercollins.com\/products\/meadowlands-louise-gluck?variant=32131037200418\" target=\"_blank\" rel=\"noopener\">Meadowlands<\/a><\/em>, New York, HarperCollins Publishers, 1997<\/li>\n\n\n\n<li>Barbara Hamby, <em>III. To a Chickadee at Troy<\/em> [third part of the book, a collection of 10 poems and 6 sonnets] in <em><a href=\"https:\/\/upittpress.org\/books\/9780822965251\/\" target=\"_blank\" rel=\"noopener\">Bird Odyssey<\/a><\/em>, University of Pittsburgh Press, 2018<\/li>\n\n\n\n<li>Judith Kazantzis, <a href=\"https:\/\/waterloopress.co.uk\/books\/the-odysseus-poems-fictions-on-the-odyssey-of-homer-2010\/\" target=\"_blank\" rel=\"noopener\"><em>The Odysseus Poems. Fictions on the Odyssey of Homer<\/em><\/a>. With original etchings by Jacqueline Morreau, Hove, Waterloo Press 2010 [1999]<\/li>\n\n\n\n<li>Barbara K\u00f6hler, <em>Niemands Frau. Ges\u00e4nge<\/em>, Frankfurt am Mein, Suhrkamp Verlag, 2007<\/li>\n\n\n\n<li>Alice Oswald, <a href=\"https:\/\/www.penguin.co.uk\/books\/111\/1115727\/nobody\/9781787331969.html\" target=\"_blank\" rel=\"noopener\"><em>Nobody<\/em><\/a>, Jonathan Cape, 2019<\/li>\n<\/ul>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<h3 class=\"wp-block-heading\" id=\"poesie\">Poesia: singole composizioni<\/h3>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Margaret Atwood, &#8220;Siren Song&#8221;; &#8220;The Cyclops&#8221;, in <em>Selected Poems 1965-1975<\/em>; \u201cHelen of Troy Does Countertop Dancing&#8221; in <em>Morning in the Burned House<\/em>, 1995<\/li>\n\n\n\n<li>Olga Broumas, &#8220;Circe&#8221; in <em>Rave, Poems 1975-1999<\/em>, 1999<\/li>\n\n\n\n<li>H.D. [Hilda Doolittle], &#8220;Odyssey&#8221;, &#8220;Calypso&#8221;, &#8220;At Ithaca&#8221;, &#8220;Circe&#8221;, &#8220;Helen&#8221;, &#8220;Hermonax&#8221; in <a href=\"https:\/\/www.ndbooks.com\/book\/collected-poems-1912-1944\/\" target=\"_blank\" rel=\"noopener\"><em>Collected Poems 1912-1944<\/em><\/a>, New York, New Direction 1983<\/li>\n\n\n\n<li>Carol Ann Duffy, &#8220;Penelope&#8221;; &#8220;Circe&#8221;, in <em>The World&#8217;s Wife<\/em>, 1999<\/li>\n\n\n\n<li>Elfriede Gerstl, &#8220;penelope, angfressn&#8221;, in <em>Haus und Haut<\/em>, Werke Band 3, Graz, Literaturverlag Droschl, 2014<\/li>\n\n\n\n<li>Dorothy Parker, \u201cPenelope\u201d, 1928<\/li>\n\n\n\n<li>Linda Pastan, &#8220;At the Loom&#8221;, &#8220;Rereading The Odyssey in Middle Age&#8221;, &#8220;You are Odysseus&#8221;, &#8220;Circe&#8221;, &#8220;The Son&#8221;, &#8220;Argos&#8221;, &#8220;The Sirens&#8221;, &#8220;The Suitor&#8221; in <em>The Imperfect Paradise<\/em>, London 1988; &#8220;Penelope&#8221; in <em>Carnival Evening<\/em>, London 1998<\/li>\n\n\n\n<li>Mary Ruefle, \u201cDeconstruction\u201d [no date found, M.R. was born 1952]<\/li>\n\n\n\n<li>Meredith Schwartz, &#8220;Penelope to Ulysses&#8221; [date unknown, but after 1983]<\/li>\n\n\n\n<li>Leslie Ullmann, &#8220;Calypso, Twilight&#8221;, 1997<\/li>\n\n\n\n<li>Edna St. Vincent Millay, &#8220;An Ancient Gesture&#8221;, 1949<\/li>\n<\/ul>\n<\/div>\n<\/div>\n\n\n\n<div style=\"height:34px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-08aa536d wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<h3 class=\"wp-block-heading\" id=\"poemus\">Poesia: composizioni per musica<\/h3>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Sarah Kirkland Snider, <em>Penelope<\/em>, song cycle with lyrics by Ellen McLaughlin, feat. vocalist Shara Worden and the chamber orchestra Signal, 2009<\/li>\n\n\n\n<li>Kate Soper, <em>Here be Sirens<\/em>, music theatre for three Sopranos and Grand Piano, 2014<\/li>\n\n\n\n<li>Kate Tempest, &#8220;Brand New Ancient&#8221;, 2013; &#8220;Hold Your Own&#8221;, 2014<\/li>\n\n\n\n<li>Susanne Vega, &#8220;Calypso&#8221;, 1987<\/li>\n<\/ul>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<h3 class=\"wp-block-heading\" id=\"teat\">Teatro<\/h3>\n\n\n\n<ul class=\"wp-block-list\">\n<li><em>Odyssee 2021<\/em>, Text-Collage di Jakub Kavin, con 7 monologhi per una moderna &#8216;Odyssa&#8217; commissionati a Theodora Bauer, Margret Kreidl, Lydia Mischkulnig, Sophie Reyer, Kathrin R\u00f6ggla, Marlene Streeruwitz, Miroslava Svolikova<\/li>\n\n\n\n<li>Anne Carson, <em><a href=\"https:\/\/www.ndbooks.com\/book\/norma-jeane-baker-of-troy\/\" target=\"_blank\" rel=\"noopener\">Norma Jean Baker of Troy<\/a><\/em>, New York, New Directions, 2019<\/li>\n\n\n\n<li>Elfriede Jelinek, <a href=\"http:\/\/www.elfriedejelinek.com\" target=\"_blank\" rel=\"noopener\"><em><em>Der Tod und das M\u00e4dchen 5. Die Wand<\/em><\/em><\/a>, 2002;&nbsp;<em>La morte e la fanciulla 5. La parete<\/em>, trad. di Roberta Cortese [on demand at info@satyrikon.org &#8211; <a href=\"https:\/\/www.satyrikon.org\/it\/portfolio\/la-parete\/\" target=\"_blank\" rel=\"noopener\">qui<\/a> il relativo progetto Satyrikon]<\/li>\n\n\n\n<li>Emine Sevgi \u00d6zdamar, <em>Perikizi<\/em>, in <em>Theater Theater: Odyssee Europa Aktuelle St\u00fccke 20\/10<\/em>, Frankfurt\/Mein, Fischer Taschenbuch Verlag, 2010<\/li>\n\n\n\n<li>Enda Walsch, <em>Penelope<\/em>, <em>ibidem<\/em><\/li>\n<\/ul>\n<\/div>\n<\/div>\n\n\n\n<div style=\"height:34px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-08aa536d wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<h3 class=\"wp-block-heading\" id=\"narr\">Narrativa<\/h3>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Margaret Atwood, <a href=\"https:\/\/canongate.co.uk\/books\/72-the-penelopiad\/\" target=\"_blank\" rel=\"noopener\"><em>The Penelopiad<\/em><\/a>, Edinburgh, Canongates Books Ltd,&nbsp;2005;&nbsp;<a href=\"https:\/\/www.ponteallegrazie.it\/libro\/il-canto-di-penelope-margaret-atwood-9788833311326.html\" target=\"_blank\" rel=\"noopener\"><em>Il canto di Penelope<\/em><\/a>, Milano, Adriano Salani Editore, 2018; <a href=\"https:\/\/www.penguin.de\/Buch\/Penelope-und-die-zwoelf-Maegde\/Margaret-Atwood\/Goldmann\/e603136.rhd\" target=\"_blank\" rel=\"noopener\"><i>Penelope und die zw\u00f6lf M\u00e4gde<\/i><\/a>, M\u00fcnchen, Penguin Random House Verlagsgruppe, 2020<\/li>\n\n\n\n<li>Pat Barker, <a href=\"https:\/\/www.penguin.co.uk\/books\/308434\/the-silence-of-the-girls-by-barker-pat\/9780241983201\" target=\"_blank\" rel=\"noopener\"><em>The Silence of the Girls<\/em><\/a>, London, Penguin Books, 2019; <a href=\"https:\/\/www.einaudi.it\/catalogo-libri\/narrativa-straniera\/narrativa-di-lingua-inglese\/il-silenzio-delle-ragazze-pat-barker-9788806241025\/\" target=\"_blank\" rel=\"noopener\"><em>Il silenzio delle ragazze<\/em><\/a>, Torino, Einaudi 2019; <a href=\"https:\/\/www.m-vg.de\/lago\/shop\/article\/20162-die-stille-der-frauen\/\" target=\"_blank\" rel=\"noopener\"><em>Die Stille der Frauen<\/em><\/a>, M\u00fcnchen, Lago 2020<\/li>\n\n\n\n<li>Annie Leclerc, <a href=\"https:\/\/www.actes-sud.fr\/node\/15107\" target=\"_blank\" rel=\"noopener\"><em>Toi, P\u00e9n\u00e9lope<\/em><\/a>, Arles, Actes Sud, 2001<\/li>\n\n\n\n<li>Marilena Lucente, <a href=\"https:\/\/www.animamundiedizioni.com\/prodotto\/trilogia-delle-donne-dellacqua\/\" target=\"_blank\" rel=\"noopener\"><em>Trilogia delle donne dell&#8217;acqua<\/em><\/a>, Otranto, AnimaMundi, 2019<\/li>\n\n\n\n<li>Inge Merkel, <em>Eine ganz gew\u00f6hnliche Ehe. Odysseus und Penelope<\/em>, Frankfurt\/Main, Fischer Taschenbuch Verlag, 1996 [Residenz Verlag, 1987; fuori catalogo]<\/li>\n\n\n\n<li>Madeline Miller, <a href=\"https:\/\/www.littlebrown.com\/titles\/madeline-miller\/circe\/9780316556330\/\" target=\"_blank\" rel=\"noopener\"><em>Circe<\/em><\/a>, New York, Little, Brown &amp; Company, 2018;&nbsp;<em><a href=\"https:\/\/www.sonzognoeditori.it\/index.php\/component\/marsilio\/scheda-libro\/4540034\/circe\" target=\"_blank\" rel=\"noopener\">Circe<\/a>, <\/em>Venezia, Marsilio Editori, 2019; <em><em><a href=\"https:\/\/eisele-verlag.de\/books\/miller-ich-bin-circe\/\" target=\"_blank\" rel=\"noopener\">Ich bin Circe<\/a><\/em><\/em>, M\u00fcnchen, Eisele Verlag, 2019<\/li>\n\n\n\n<li>&#8211; , <a href=\"https:\/\/www.bloomsbury.com\/uk\/song-of-achilles-9781526648174\/\" target=\"_blank\" rel=\"noopener\"><em>The Song of Achilles<\/em><\/a>, London, Bloomsbury, 2011; <a href=\"https:\/\/www.marsilioeditori.it\/libri\/scheda-libro\/3178098\/la-canzone-di-achille\" target=\"_blank\" rel=\"noopener\"><em>La canzone di Achille<\/em><\/a>, Venezia, Marsilio Editori, 2019; <a href=\"https:\/\/eisele-verlag.de\/books\/das-lied-des-achill\/\" target=\"_blank\" rel=\"noopener\"><em>Das Lied des Achill<\/em><\/a>, Hamburg, Eisele 2020<\/li>\n\n\n\n<li>Sabine Scholl, <a href=\"https:\/\/secession-verlag.com\/node\/2018\" target=\"_blank\" rel=\"noopener\"><em>O.<\/em><\/a>, Z\u00fcrich, Secession Verlag, 2020<\/li>\n<\/ul>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<h3 class=\"wp-block-heading\" id=\"sagg\">Saggistica<\/h3>\n\n\n\n<ul class=\"wp-block-list\">\n<li><a href=\"https:\/\/oxford.universitypressscholarship.com\/view\/10.1093\/oso\/9780198802587.001.0001\/oso-9780198802587\" target=\"_blank\" rel=\"noreferrer noopener\"><em>Homer\u2019s Daughters,&nbsp;Women\u2019s Responses to Homer in the Twentieth Century<\/em><\/a><br><em>and Beyond<\/em>, edited by&nbsp;Fiona Cox and&nbsp;Elena Theodorakopoulos, Oxford University Press, 2019<\/li>\n\n\n\n<li><a href=\"https:\/\/brill.com\/display\/title\/29854?language=en\" target=\"_blank\" rel=\"noreferrer noopener\"><em>An Odyssey for our Time. Barbara K\u00f6hler\u2019s Niemands Frau<\/em><\/a>, edited by Georgina Paul, Amsterdam &#8211; New York, Editions Rodopi B.V. [Brill], 2013<\/li>\n\n\n\n<li>B\u00e1rbara \u00c1lvarez Rodr\u00edguez,&nbsp;<a href=\"https:\/\/www.academia.edu\/32091792\/ALTERITY_IN_HOMER_A_RECONCEPTUALIZATION_OF_FEMALE_MARGINALIZATION\" target=\"_blank\" rel=\"noreferrer noopener\"><em>Alterity in Homer: A Reconceptualisation of Female Marginalization<\/em><\/a>, Stanford University Press, 2017<\/li>\n\n\n\n<li>Eva Cantarella,&nbsp;<a href=\"https:\/\/www.feltrinellieditore.it\/opera\/opera\/lamore-e-un-dio-1\/\" target=\"_blank\" rel=\"noreferrer noopener\"><em>L&#8217;amore \u00e8 un dio. Il sesso e la polis<\/em><\/a>, Milano, Feltrinelli Editore, 2007-2020;&nbsp;<em><a href=\"https:\/\/www.lafeltrinelli.it\/inganni-di-pandora-origine-delle-libro-eva-cantarella\/e\/9788807896040?queryId=e4dd2899b77fd6e27c6e8d722ad20a38\" target=\"_blank\" rel=\"noreferrer noopener\">Gli inganni di Pandora. L&#8217;origine delle discriminazioni di genere nella Grecia antica<\/a><\/em>, Milano, Feltrinelli Editore, 2022<\/li>\n\n\n\n<li>Marianne Govers Hopman,&nbsp;<a href=\"https:\/\/www.cambridge.org\/gb\/academic\/subjects\/classical-studies\/classical-studies-general\/scylla-myth-metaphor-paradox?format=HB&amp;isbn=9781107026766\" target=\"_blank\" rel=\"noreferrer noopener\"><em>Scylla. Myth, Metaphor, Paradox<\/em><\/a>, New York, Cambridge University Press, 2012<\/li>\n<\/ul>\n<\/div>\n<\/div>\n\n\n\n<div style=\"height:34px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<h3 class=\"wp-block-heading\" id=\"saggrom\">Saggistica romanzata<\/h3>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Maria Corti, <a href=\"https:\/\/www.bompiani.it\/catalogo\/il-canto-delle-sirene-9788845298776\" target=\"_blank\" rel=\"noopener\"><em>Il canto delle sirene<\/em><\/a>, Milano, Bompiani [Giunti], 2018<\/li>\n\n\n\n<li>Francesca Ghedini, <a href=\"https:\/\/www.marsilioeditori.it\/libri\/scheda-libro\/2971881\/maledette\" target=\"_blank\" rel=\"noopener\"><em>Maledette. Le donne nel mito<\/em><\/a>, Venezia, Marsilio Editori, 2023<\/li>\n\n\n\n<li>Silvia Romani, <a href=\"https:\/\/www.einaudi.it\/catalogo-libri\/narrativa-italiana\/narrativa-italiana-contemporanea\/saffo-la-ragazza-di-lesbo-silvia-romani-9788806244774\/\" target=\"_blank\" rel=\"noopener\"><em>Saffo, la ragazza di Lesbo<\/em><\/a>, Torino, Einaudi, 2022 [NB: il libro non ha direttamente a che vedere con rielaborazioni dell&#8217;epos omerico, ma Saffo era contemporanea di Omero e la flotta di Agamennone aveva fatto scalo a Lesbo]<\/li>\n<\/ul>",
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        "rendered": "<p>autrici discutono e riscrivono l&#8217;epos omerico<\/p>",
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