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        "rendered": "<h4 class=\"wp-block-heading has-text-align-center has-cormorant-unicase-font-family\">lettura musicoterapica rigenerativa di W.A. Mozart<br>traduzione di Roberta Cortese<\/h4>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-d0b3c9c8 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p class=\"has-text-align-right\">voce recitante: Roberta Cortese<br>voce off: Rodolfo Traversa<br>a cura di Luigi Chiarella e Roberta Cortese<br>sulla base di un programma rigenerativo post-gara di Kuno Leu<br>registrazione voce off a cura di Alberto Morganti<\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p><em>Produzione Satyrikon con il sostegno di Dipartimento di Lingue, Letterature e Culture Comparate dell&#8217;Universit\u00e0 di Firenze, Archivio di Stato di Firenze, Associazione Archivio per la memoria e la scrittura delle donne \u201cAlessandra Contini Bonacossi\u201d<br>prima nazionale 08.03.2012, Auditorium Archivio di Stato di Firenze<\/em><\/p>\n<\/div>\n<\/div>\n\n\n\n<p>Una catastrofe decima la popolazione di un pianeta lontano. Unici sopravvissuti: i coloni di una base scientifica sotterranea. Il comando viene assunto da un collegio di scienziati, che suddividono le donne in fertili e sterili, \u201cmacchine partorienti\u201d e \u201cetere\u201d. Riescono a sintetizzare un siero dell\u2019immortalit\u00e0, ma resta un problema: nascono solo figli maschi. Inaspettatamente, per un errore \u2018tecnico\u2019 nasce una femmina e la situazione cambia.<\/p>\n\n\n\n<p>Dal Premio Nobel per la Letteratura 2004 Elfriede Jelinek, un radiodramma fantascientifico del 1976 che descrive in modo impressionante la formazione di un regime totalitario patriarcale e gli estremi raggiungibili dalla misoginia.&nbsp;L\u2019io narrante \u00e8 un essere di pura energia, inviato in ricognizione sul pianeta per verificarne le condizioni e ricostruirne la storia.<\/p>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-d0b3c9c8 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"--col-width:50%;flex-basis:50%\">\n<p>traccia audio completa &#8211; 50&#8242; circa<\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"--col-width:50%;flex-basis:50%\">\n<figure class=\"wp-block-audio\"><audio controls src=\"https:\/\/www.satyrikon.org\/wp-content\/uploads\/2016\/08\/LeApiRe.mp3\"><\/audio><\/figure>\n<\/div>\n<\/div>\n\n\n\n<h4 class=\"wp-block-heading has-cormorant-unicase-font-family\">Note di regia<\/h4>\n\n\n\n<p>Cosa fa un essere di pura energia di ritorno da una missione? Si rigenera.<br>Il pretesto offerto dal testo lascia spazio a un ulteriore esperimento: mettere a punto un programma di rigenerazione musico terapeutico a partire da un modello di allenamento sportivo defaticante e rigenerativo post-gara. La \u2018seduta\u2019, programmata per l\u2019essere di energia del testo, sortir\u00e0 quindi naturalmente i suoi effetti anche sul pubblico.<br>La scelta musicale non poteva che cadere su Mozart, il compositore in assoluto pi\u00f9 efficace in campo musico terapeutico. La scelta dei singoli brani \u00e8 stata dettata da parametri scientifici, sulla base di studi compiuti in questo campo da diversi ricercatori, tra cui spicca Alfred A. Tomatis, primo a parlare del \u2018Effetto-Mozart\u2019. Contemporaneamente, \u00e8 stato adottato come materiale base un programma defaticante post-gara stilato appositamente per questo progetto da Kuno Leu, pi\u00f9 volte campione austriaco di 200m delfino e attualmente allenatore dello Schwimm Verein Schwechat e istruttore di educazione fisica all\u2019Universit\u00e4tssportinstitut di Vienna.<br>Il programma originale, da esaurirsi nell\u2019arco di due settimane, \u00e8 qui concentrato in un\u2019ora circa di lettura musicale.<\/p>",
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