{ "id": 3546, "date": "2016-08-25T13:37:08", "date_gmt": "2016-08-25T11:37:08", "guid": { "rendered": "http:\/\/www.satyrikon.org\/?post_type=portfolio&p=3546" }, "modified": "2025-07-03T19:03:02", "modified_gmt": "2025-07-03T17:03:02", "slug": "full-metal-kids", "status": "publish", "type": "portfolio", "link": "https:\/\/www.satyrikon.org\/it\/projects\/full-metal-kids\/", "title": { "rendered": "Full Metal Kids" }, "content": { "rendered": "
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melologo scenico sulla Suite N.1<\/em> per violoncello solo di J.S. Bach
a cura di e con Roberta Cortese
al violoncello Claudia Ravetto
disegno luci Luigi Chiarella<\/p>\n<\/div>\n\n\n\n

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prima assoluta: 26.03.11, Teatro dell’Acquario Cosenza – anteprima in lettura: 10.12.08 Teatro della Concordia di Venaria Reale per il 60\u00b0 anniversario della Dichiarazione Universale dei Diritti Umani<\/em><\/p>\n<\/div>\n<\/div>\n\n\n\n

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Full Metal Kids \u00e8 innanzi tutto una presa di posizione nei confronti dello sfruttamento dell’infanzia da parte del potere degli adulti. Viaggio al termine della notte<\/em> di C\u00e9line funge qui da pre-testo per far emergere la voce di una donna che racconta la propria esperienza di bambina-soldato, simile a quella di migliaia di altri bambine e bambini. L’esperienza con cui \u00e8 costretta a convivere e agire anche nella sua nuova vita \u2013 la vita a cui non ha voluto, nonostante tutto, rinunciare. Il messaggio finale: stare in guardia rispetto alla retorica dei tempi, dei potenti, delle istituzioni e del loro amore per le masse.<\/p>\n<\/div>\n\n\n\n

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Full Metal Kids \u00e8 stato rappresentato a Cosenza assieme ad un altro melologo per voce e violoncello, Paese senza parole<\/a> di Dea Loher. Unico oggetto di scena per entrambi i melologi: un quaderno. Nel caso di Loher, il diario dell’artista, in cui cerca le risposte alle sue domande. Per Chiarella, un taccuino che viene rilegato a mano sul palco, con pagine bianche per una nuova vita.<\/p>\n\n\n\n

Full Metal Kids sostiene il progetto Unicef Sud Sudan per il recupero degli ex-bambini soldato<\/p>\n<\/div>\n<\/div>\n\n\n\n

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\"\"<\/figure>\n\n\n\n
\"\"<\/figure>\n<\/figure>\n\n\n\n

Foto di scena \u00a9 Carmelo Giordano<\/p>\n\n\n\n

bibliografia<\/h3>\n\n\n\n

Giulio Albanese, Soldatini di piombo. La questione dei bambini soldato<\/em>, Feltrinelli, Milano 2007.
Ishmael Beah, Memorie di un soldato bambino<\/em>, Neri Pozza, Vicenza 2007.
Luciano Bertozzi, I bambini soldato. Lo sfruttamento globale dell’infanzia<\/em>, EMI, Citt\u00e0 di Castello 2003.
L.F. C\u00e9line, Viaggio al termine della Notte<\/em>, Corbaccio, Milano 2007 [1953].
Uzodinma Iweala, Bestie senza una patria<\/em>, Einaudi, Torino 2006.
China Keitetsi, Una bambina soldato. Vittima e carnefice nell’inferno dell’Uganda<\/em>, Marsilio, Venezia 2008.
Ahmadou Kourouma, Allah non \u00e8 mica obbligato<\/em>, e\/o, Roma 2002.
Aki Ra, Non calpestate le farfalle<\/em>, Sperling & Kupfer, 2007.
David M. Rosen, Un esercito di bambini. Giovani soldati nei conflitti internazionali<\/em>, Raffaello Cortina, Milano 2007.
Ken Saro-Wiwa, Sozaboy<\/em>, Baldini Castoldi Dalai, Milano 2005.<\/p>", "protected": false }, "excerpt": { "rendered": "

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