{
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    "date": "2016-08-25T13:21:38",
    "date_gmt": "2016-08-25T11:21:38",
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    "modified": "2025-08-15T15:32:56",
    "modified_gmt": "2025-08-15T13:32:56",
    "slug": "la-parete",
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    "link": "https:\/\/www.satyrikon.org\/it\/projects\/la-parete\/",
    "title": {
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        "rendered": "<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-08aa536d wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p class=\"has-text-align-right wp-block-paragraph\">traduzione di Roberta Cortese<br>mise en espace di Roberta Cortese e Simona Nasi<br><em>Inge &#8211; <\/em>Roberta Cortese<br><em>Sylvia &#8211; <\/em>Simona Nasi<br><em>Teresa (voce fuori campo) &#8211;<\/em> Franca Penone<\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p class=\"has-small-font-size wp-block-paragraph\"><em>Prima nazionale: 27.02.10 Teatro Studio di Scandicci &#8211; FI | produzione Satyrikon per \u201cScansioni irregolari\u201d, a cura di Societ\u00e0 Italiana delle Letterate (Firenze) \/ Associazione Il Giardino dei Ciliegi \/ Dipartimento di Lingue, Letterature e Culture Comparate &#8211; Universit\u00e0 di Firenze \/ Provincia di Firenze &#8211; Ass. Politiche sociali, Pari opportunit\u00e0 e Cooperazione Internazionale con Istituzione Scandicci Cultura &#8211; con un grazie particolare a Rita Svandrlik, Roberto Sella, Enrico Morano, Maura Martano<\/em><\/p>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-buttons is-content-justification-center is-layout-flex wp-container-core-buttons-is-layout-0aa01211 wp-block-buttons-is-layout-flex\">\n<div class=\"wp-block-button\"><a class=\"wp-block-button__link wp-element-button\" href=\"https:\/\/www.youtube.com\/watch?v=kcml7LSYdtM\" target=\"_blank\" rel=\"noreferrer noopener\">VIDEO INTEGRALE<\/a><\/div>\n<\/div>\n\n\n\n<p class=\"wp-block-paragraph\">Dal premio Nobel per la Letteratura 2004 Elfriede Jelinek,&nbsp;<em>La parete<\/em>&nbsp;\u00e8 l&#8217;ultimo dei cinque &#8220;Drammi di principesse&#8221;, ovvero&nbsp;<em>La morte e la fanciulla I-V<\/em>, dal titolo del&nbsp;<em>Lied<\/em>&nbsp;di Schubert da cui prendono spunto. Le principesse sono qui Ingeborg Bachmann e Sylvia Plath, intente a macellare un ariete per raccoglierne il sangue e offrirlo alla veggente Teresa perch\u00e9 predica loro il futuro.<br><em>La parete<\/em>&nbsp;\u00e8 in realt\u00e0 anche il titolo del romanzo di un&#8217;altra &#8220;principessa&#8221; nascosta, Marlen Haushofer, austriaca autrice di un&#8217;avventura robinsoniana&nbsp;<em>sui generis<\/em>. La protagonista del romanzo, infatti, resta reclusa in uno spazio alpino, separata dal mondo da una parete invisibile comparsa all&#8217;improvviso, oltre la quale tutto si \u00e8 trasformato in pietra.<br>Le principesse della scrittura si affaccendano in una rivisitazione tutta casalinga del mito, avventurandosi in speculazioni filosofiche destabilizzanti, ai piedi di una strana &#8220;parete della verit\u00e0&#8221;.<\/p>\n\n\n\n<div class=\"wp-block-jetpack-tiled-gallery aligncenter is-style-rectangular\"><div class=\"has-rounded-corners-3\"><div class=\"tiled-gallery__gallery\"><div class=\"tiled-gallery__row\"><div class=\"tiled-gallery__col\" style=\"flex-basis:38.84105%\"><figure class=\"tiled-gallery__item\"><img decoding=\"async\" data-attachment-id=\"4393\" data-permalink=\"https:\/\/www.satyrikon.org\/it\/projects\/la-parete\/la-parete_1280x720\/\" 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        "rendered": "<p>un dramma di principesse di Elfriede Jelinek<\/p>",
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