{
    "id": 3544,
    "date": "2016-08-25T13:17:34",
    "date_gmt": "2016-08-25T11:17:34",
    "guid": {
        "rendered": "http:\/\/www.satyrikon.org\/?post_type=portfolio&p=3544"
    },
    "modified": "2026-01-30T18:15:14",
    "modified_gmt": "2026-01-30T16:15:14",
    "slug": "sport-una-piece",
    "status": "publish",
    "type": "portfolio",
    "link": "https:\/\/www.satyrikon.org\/it\/projects\/sport-una-piece\/",
    "title": {
        "rendered": "Sport. Una pi\u00e8ce."
    },
    "content": {
        "rendered": "<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-08aa536d wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p class=\"has-text-align-right wp-block-paragraph\">progetto in pi\u00f9 studi in prima nazionale<br>traduzione e performance Roberta Cortese<br>regia Lorenzo Fontana<br>scene e costumi Roberta Cortese e Lorenzo Fontana<br>disegno luci Luigi Chiarella<\/p>\n\n\n\n<details class=\"wp-block-details is-layout-flow wp-block-details-is-layout-flow\"><summary>credits<\/summary>\n<p class=\"has-text-align-right has-small-font-size wp-block-paragraph\"><em>una coproduzione Satyikon \/ 15febbraio \/ Centro R.A.T. \/ Festival delle Colline Torinesi \/ Fondazione Teatro Piemonte Europa | con il patrocinio dell&#8217;Elfriede Jelinek-Forschungszentrum Wien<br>Prima nazionale 1\u00b0 studio 17.01.2009 Teatro dell&#8217;Acquario di Cosenza | prima nazionale 2\u00b0 studio 23.07.2009 Festival Teatro a Corte \/ TPE<\/em><\/p>\n<\/details>\n\n\n\n<p class=\"has-text-align-right wp-block-paragraph\"><a href=\"#sportpresse\">vai alla rassegna stampa<\/a><\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-4-3 wp-has-aspect-ratio\" style=\"margin-top:0;margin-bottom:0\"><div class=\"wp-block-embed__wrapper\">\n<span class=\"embed-youtube\" style=\"text-align:center; display: block;\"><iframe loading=\"lazy\" class=\"youtube-player\" width=\"640\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/WIt2vK1yKJQ?version=3&#038;rel=1&#038;showsearch=0&#038;showinfo=1&#038;iv_load_policy=1&#038;fs=1&#038;hl=it-IT&#038;autohide=2&#038;wmode=transparent\" allowfullscreen=\"true\" style=\"border:0;\" sandbox=\"allow-scripts allow-same-origin allow-popups allow-presentation allow-popups-to-escape-sandbox\"><\/iframe><\/span>\n<\/div><figcaption class=\"wp-element-caption\">Trailer primo studio<\/figcaption><\/figure>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-4-3 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<span class=\"embed-youtube\" style=\"text-align:center; display: block;\"><iframe loading=\"lazy\" class=\"youtube-player\" width=\"640\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/PBmmZWk19sA?version=3&#038;rel=1&#038;showsearch=0&#038;showinfo=1&#038;iv_load_policy=1&#038;fs=1&#038;hl=it-IT&#038;autohide=2&#038;wmode=transparent\" allowfullscreen=\"true\" style=\"border:0;\" sandbox=\"allow-scripts allow-same-origin allow-popups allow-presentation allow-popups-to-escape-sandbox\"><\/iframe><\/span>\n<\/div><figcaption class=\"wp-element-caption\">Trailer secondo studio<\/figcaption><\/figure>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-08aa536d wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p class=\"wp-block-paragraph\">Dal premio Nobel per la Letteratura 2004, una pietra miliare nella produzione dell&#8217;autrice e nella storia del teatro tedesco. Un testo che tratta lo sport come metafora della guerra, con i grandi atleti assimilati agli eroi classici. Rinunciando ad un vero intreccio e rompendo la distinzione tra vittime e carnefici, Jelinek esplora il mondo della violenza e della morte attraverso personaggi-fantoccio portatori di un logos che \u00e8 il vero protagonista della pi\u00e8ce. Prima messinscena nel 1998 al Burgtheater di Vienna con la regia di Einar Schleef: 142 interpreti (tra cui Roberta Cortese), 5 ore la versione breve, 7 quella lunga. <\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p class=\"wp-block-paragraph\">Un&#8217;attrice sola invece in questa prima versione italiana, a sottolineare il valore della &#8220;prestazione&#8221; (atletica, militare, teatrale), ad esaltare l&#8217;ironica autoreferenzialit\u00e0 di Jelinek (qui &#8220;doppiata&#8221; dalla sua traduttrice), a rafforzare l&#8217;impatto con il testo stesso. Il progetto si sviluppa per tappe, a partire da una suddivisione gi\u00e0 presente nel testo. La prima parte (studio I e II, regia Lorenzo Fontana) pu\u00f2 essere intesa come preparazione (atletica e psicologica) alla guerra; a met\u00e0 \u00e8 inserito un &#8220;rapporto intermedio&#8221;, che prende spunto da due fatti di cronaca per indagare pi\u00f9 direttamente sulle dinamiche della morte; nella parte che segue la guerra \u00e8 ormai in atto e la pi\u00e8ce si conclude con un monologo dell&#8217;autrice.<\/p>\n<\/div>\n<\/div>\n\n\n\n<p class=\"has-text-align-center has-small-font-size wp-block-paragraph\">Foto di scena \u00a9 Paolo Santon\u00e8<\/p>\n\n\n\n<div class=\"wp-block-jetpack-tiled-gallery aligncenter is-style-rectangular\"><div class=\"\"><div class=\"tiled-gallery__gallery\"><div class=\"tiled-gallery__row\"><div class=\"tiled-gallery__col\" style=\"flex-basis:40.84740%\"><figure class=\"tiled-gallery__item\"><img decoding=\"async\" data-attachment-id=\"3301\" data-permalink=\"https:\/\/www.satyrikon.org\/it\/projects\/sport02\/\" data-orig-file=\"https:\/\/i0.wp.com\/www.satyrikon.org\/wp-content\/uploads\/2012\/03\/sport02.jpg?fit=640%2C427&amp;ssl=1\" data-orig-size=\"640,427\" data-comments-opened=\"0\" data-image-title=\"sport02\" data-image-description=\"\" data-image-caption=\"\" data-large-file=\"https:\/\/i0.wp.com\/www.satyrikon.org\/wp-content\/uploads\/2012\/03\/sport02.jpg?fit=640%2C427&amp;ssl=1\" role=\"button\" tabindex=\"0\" aria-label=\"Apri immagine 1 di 15 a schermo intero\" srcset=\"https:\/\/i0.wp.com\/www.satyrikon.org\/wp-content\/uploads\/2012\/03\/sport02.jpg?strip=info&#038;w=600&#038;ssl=1 600w,https:\/\/i0.wp.com\/www.satyrikon.org\/wp-content\/uploads\/2012\/03\/sport02.jpg?strip=info&#038;w=640&#038;ssl=1 640w\" alt=\"\" data-height=\"427\" data-id=\"3301\" data-link=\"https:\/\/www.satyrikon.org\/projects\/sport02\/\" data-url=\"https:\/\/www.satyrikon.org\/wp-content\/uploads\/2012\/03\/sport02.jpg\" data-width=\"640\" src=\"https:\/\/i0.wp.com\/www.satyrikon.org\/wp-content\/uploads\/2012\/03\/sport02.jpg?ssl=1\" data-amp-layout=\"responsive\"\/><\/figure><\/div><div class=\"tiled-gallery__col\" style=\"flex-basis:18.30520%\"><figure class=\"tiled-gallery__item\"><img decoding=\"async\" data-attachment-id=\"3296\" data-permalink=\"https:\/\/www.satyrikon.org\/it\/projects\/sport08\/\" data-orig-file=\"https:\/\/i0.wp.com\/www.satyrikon.org\/wp-content\/uploads\/2012\/03\/sport08.jpg?fit=427%2C640&amp;ssl=1\" data-orig-size=\"427,640\" data-comments-opened=\"0\" data-image-title=\"sport08\" data-image-description=\"\" data-image-caption=\"\" data-large-file=\"https:\/\/i0.wp.com\/www.satyrikon.org\/wp-content\/uploads\/2012\/03\/sport08.jpg?fit=427%2C640&amp;ssl=1\" role=\"button\" tabindex=\"0\" aria-label=\"Apri immagine 2 di 15 a schermo intero\" srcset=\"https:\/\/i0.wp.com\/www.satyrikon.org\/wp-content\/uploads\/2012\/03\/sport08.jpg?strip=info&#038;w=427&#038;ssl=1 427w\" alt=\"\" data-height=\"640\" data-id=\"3296\" data-link=\"https:\/\/www.satyrikon.org\/projects\/sport08\/\" data-url=\"https:\/\/www.satyrikon.org\/wp-content\/uploads\/2012\/03\/sport08.jpg\" data-width=\"427\" src=\"https:\/\/i0.wp.com\/www.satyrikon.org\/wp-content\/uploads\/2012\/03\/sport08.jpg?ssl=1\" data-amp-layout=\"responsive\"\/><\/figure><\/div><div class=\"tiled-gallery__col\" style=\"flex-basis:40.84740%\"><figure class=\"tiled-gallery__item\"><img decoding=\"async\" data-attachment-id=\"6504\" data-permalink=\"https:\/\/www.satyrikon.org\/it\/projects\/sport-una-piece\/sport04\/\" data-orig-file=\"https:\/\/i0.wp.com\/www.satyrikon.org\/wp-content\/uploads\/2016\/08\/sport04.jpg?fit=640%2C427&amp;ssl=1\" data-orig-size=\"640,427\" data-comments-opened=\"0\" data-image-title=\"sport04\" data-image-description=\"\" data-image-caption=\"\" data-large-file=\"https:\/\/i0.wp.com\/www.satyrikon.org\/wp-content\/uploads\/2016\/08\/sport04.jpg?fit=640%2C427&amp;ssl=1\" role=\"button\" tabindex=\"0\" aria-label=\"Apri immagine 3 di 15 a schermo intero\" srcset=\"https:\/\/i0.wp.com\/www.satyrikon.org\/wp-content\/uploads\/2016\/08\/sport04.jpg?strip=info&#038;w=600&#038;ssl=1 600w,https:\/\/i0.wp.com\/www.satyrikon.org\/wp-content\/uploads\/2016\/08\/sport04.jpg?strip=info&#038;w=640&#038;ssl=1 640w\" alt=\"\" data-height=\"427\" data-id=\"6504\" data-link=\"https:\/\/www.satyrikon.org\/projects\/sport-una-piece\/sport04\/\" data-url=\"https:\/\/www.satyrikon.org\/wp-content\/uploads\/2016\/08\/sport04.jpg\" data-width=\"640\" src=\"https:\/\/i0.wp.com\/www.satyrikon.org\/wp-content\/uploads\/2016\/08\/sport04.jpg?ssl=1\" data-amp-layout=\"responsive\"\/><\/figure><\/div><\/div><div class=\"tiled-gallery__row\"><div class=\"tiled-gallery__col\" style=\"flex-basis:50.00000%\"><figure class=\"tiled-gallery__item\"><img decoding=\"async\" data-attachment-id=\"3298\" data-permalink=\"https:\/\/www.satyrikon.org\/it\/projects\/sport12\/\" 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data-width=\"427\" src=\"https:\/\/i0.wp.com\/www.satyrikon.org\/wp-content\/uploads\/2012\/03\/sport11.jpg?ssl=1\" data-amp-layout=\"responsive\"\/><\/figure><\/div><\/div><div class=\"tiled-gallery__row\"><div class=\"tiled-gallery__col\" style=\"flex-basis:66.84457%\"><figure class=\"tiled-gallery__item\"><img decoding=\"async\" data-attachment-id=\"3299\" data-permalink=\"https:\/\/www.satyrikon.org\/it\/projects\/sport20\/\" data-orig-file=\"https:\/\/i0.wp.com\/www.satyrikon.org\/wp-content\/uploads\/2012\/03\/sport20.jpg?fit=640%2C427&amp;ssl=1\" data-orig-size=\"640,427\" data-comments-opened=\"0\" data-image-title=\"sport20\" data-image-description=\"\" data-image-caption=\"\" data-large-file=\"https:\/\/i0.wp.com\/www.satyrikon.org\/wp-content\/uploads\/2012\/03\/sport20.jpg?fit=640%2C427&amp;ssl=1\" role=\"button\" tabindex=\"0\" aria-label=\"Apri immagine 6 di 15 a schermo intero\" 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data-attachment-id=\"6505\" data-permalink=\"https:\/\/www.satyrikon.org\/it\/projects\/sport-una-piece\/sport2-1414\/\" data-orig-file=\"https:\/\/i0.wp.com\/www.satyrikon.org\/wp-content\/uploads\/2016\/08\/sport2-1414.jpg?fit=427%2C640&amp;ssl=1\" data-orig-size=\"427,640\" data-comments-opened=\"0\" data-image-title=\"sport2-1414\" data-image-description=\"\" data-image-caption=\"\" data-large-file=\"https:\/\/i0.wp.com\/www.satyrikon.org\/wp-content\/uploads\/2016\/08\/sport2-1414.jpg?fit=427%2C640&amp;ssl=1\" role=\"button\" tabindex=\"0\" aria-label=\"Apri immagine 10 di 15 a schermo intero\" srcset=\"https:\/\/i0.wp.com\/www.satyrikon.org\/wp-content\/uploads\/2016\/08\/sport2-1414.jpg?strip=info&#038;w=427&#038;ssl=1 427w\" alt=\"\" data-height=\"640\" data-id=\"6505\" data-link=\"https:\/\/www.satyrikon.org\/projects\/sport-una-piece\/sport2-1414\/\" data-url=\"https:\/\/www.satyrikon.org\/wp-content\/uploads\/2016\/08\/sport2-1414.jpg\" data-width=\"427\" 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class=\"wp-block-spacer\"><\/div>\n\n\n\n<h3 class=\"wp-block-heading has-text-align-center has-cormorant-unicase-font-family\" id=\"sportpresse\">Rassegna Stampa<\/h3>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-08aa536d wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p class=\"wp-block-paragraph\"><strong>LO SPORT SI FA GUERRA CON ROBERTA CORTESE<\/strong><br>In una scenografia scarna ed essenziale si snoda un testo che parte da temi apparentemente comuni, futili e quotidiani, fino a sfiorare questioni importanti ed essenziali. L\u2019opera, attraverso un\u2019abile tecnica di montaggio, fonde elementi leggeri e buffi ad altri duri e perfino ostici. Si alternano cos\u00ec questioni pi\u00f9 banali, quasi pop, come l\u2019importanza dell\u2019aspetto fisico con aspetti legati al dolore e alla morte.<br>Gessica Franco Carlevero &#8211; Krapp&#8217;s last post &#8211; 26 luglio 2009<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>SDOPPIAMENTO NELLA PI\u00c8CE DELLA CORTESE ALL\u2019ACQUARIO<\/strong><br>\u201cLo sdoppiamento. Cos\u00ec si apre \u201cSport. Una pi\u00e8ce\u201d messo in scena sabato sera al Teatro dell\u2019Acquario. [&#8230;] La proiezione del testo in tedesco, tradotto dallo stesso personaggio che interagisce con il suo alter ego che sembra ritornare dal passato da un supporto estremamente contemporaneo, il video. [&#8230;] Una stanza piccola e che richiama un rapporto confusionario con lo sport, rappresentato dai miti attuali incorniciati, David Beckham, Ronaldo, Luis Figo ma anche Madonna, destinati a cedere non solo dal muro. L\u2019introspezione della madre\/Elettra \u00e8 un dialogo cinico, ironico e amaro con un figlio atleta. [&#8230;] Una critica alla societ\u00e0 dei media, che crea falsi miti, che nel loro ruolo privato non riescono a liberarsi dell\u2019immagine pubblica troppo incombente. [&#8230;] Un dialogo con un figlio morto, tra i giochi di tono della voce della Cortese, che alterna la severit\u00e0 dell\u2019ammonimento di una madre che rimprovera s\u00ec il figlio ma in generale la societ\u00e0, a momenti di interazione ironica e rassegnata con la stessa societ\u00e0, assoggettata al potere dei media. [&#8230;] Si esibisce il linguaggio non solo come mezzo d\u2019espressione di costellazioni psicologiche ma come secondo attore di una pi\u00e8ce in cui non manca una musica pi\u00f9 che attuale ed una chiusura stroboscopica da disco.\u201d<br>Maura Zinna &#8211; \u201cIl Quotidiano della Calabria\u201d \u2013 19 gennaio 2009<\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p class=\"wp-block-paragraph\"><strong>LA JELINEK INCANTA COSENZA<\/strong><br>L\u2019austriaca mette in scena una guerra tra i sessi, soprattutto tra madre e figlia, padre e figlio, che permea anche l\u2019ultima messa in scena, e che di certo ha molto di psicologico e psicanalitico rintracciabile gi\u00e0 nelle antiche tragedie greche. [&#8230;] Dopo \u201cLa Regina degli Elfi\u201d, il regista Lorenzo Fontana torna ad affrontare il teatro della Jelinek. [&#8230;] Una sola interprete: una straordinaria Roberta Cortese. Come alter ego della Jelinek, Roberta Cortese \u00e8 andata a catturare subito l\u2019attenzione su di s\u00e9, muovendosi, vestendosi e svestendosi lentamente, tra la spoglia scenografia fatta di icone dello sport e vip appesi sulle nude pareti, due sedie, uno specchio, un comodino armadio, arredato di lumino e una lampada porta parrucche. Come nei tre atti canonici di una rivisitazione in chiave contemporanea di un\u2019antica tragedia greca, Roberta Cortese \u00e8 andata a farsi corifea di se stessa, traine d\u2019union tra il pubblico e la controversa e malata psicologia del suo personaggio: un\u2019eroina contemporanea a met\u00e0 tra Giocasta, Elettra e Medea, sullo sfondo dell\u2019attuale guerra, rappresentata metaforicamente e combattuta su piste da sci, campi di calcio, e tutti gli avvenimenti sportivi che suscitano un certo interesse sulle masse. Eroi atleti sono i nuovi grandi guerrieri, vincitori che non portano pi\u00f9 a casa regni, ma che lottano unicamente per essere incoronati da marchi sportivi griffati, e modelli di grido all\u2019ultima moda, mentre una madre li aspetta a casa per possederli anche sessualmente. [&#8230;] Il tutto nelle atmosfere create dal disegno delle luci di Luigi Chiarella viene raccontato con grande ironia, grande cinismo, fino ad arrivare a momenti di grande divertissement.<br>Francesca Mazzotti &#8211; \u201cCalabria Ora\u201d \u2013 19 gennaio 2009<\/p>\n<\/div>\n<\/div>",
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