{"id":3547,"date":"2016-08-25T13:37:41","date_gmt":"2016-08-25T11:37:41","guid":{"rendered":"http:\/\/www.satyrikon.org\/?post_type=portfolio&#038;p=3547"},"modified":"2025-07-03T18:58:02","modified_gmt":"2025-07-03T16:58:02","slug":"don-in-paradiso-la-serial-killer","status":"publish","type":"portfolio","link":"https:\/\/www.satyrikon.org\/de\/projects\/don-in-paradiso-la-serial-killer\/","title":{"rendered":"Don in Paradiso &#8211; La Serial Killer"},"content":{"rendered":"\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-d0b3c9c8 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p class=\"has-text-align-center\">Dallo sceneggiatore di <em>Io confesso<\/em> di Alfred Hitchcock e dall\u2019autore di <em>The Cannibals<\/em> e <em>Mein Kampf<\/em> due atti unici, due riflessioni sul ridicolo della morte e delle sue infinite variazioni<\/p>\n\n\n\n<p class=\"has-text-align-center has-medium-font-size\">parte del trittico\u00a0<em>Die Massenm\u00f6rderin und ihre Freunde<\/em><br>traduzione di Roberta Cortese<br>mise en espace di e con Roberta Cortese e Simona Nasi<br>sonorizzazione dal vivo\u00a0Angelo Conto<br>abito &#8220;Kal\u00ec&#8221; di\u00a0Loredana Gelli<\/p>\n\n\n\n<p class=\"has-text-align-center has-small-font-size\"><em>con il sostegno di Centro Culturale Italo-Austriaco di Genova \u2013 Forum di Cultura Austriaca di Milano<br>e di A.C.T.I. Teatri Indipendenti Torino<\/em><br><em>prima nazionale 25.05.2011 S.Pietro in Vincoli Torino<\/em><\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<span class=\"embed-youtube\" style=\"text-align:center; display: block;\"><iframe loading=\"lazy\" class=\"youtube-player\" width=\"640\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/YQxEMtjZwPc?version=3&#038;rel=1&#038;showsearch=0&#038;showinfo=1&#038;iv_load_policy=1&#038;fs=1&#038;hl=de-DE&#038;autohide=2&#038;wmode=transparent\" allowfullscreen=\"true\" style=\"border:0;\" sandbox=\"allow-scripts allow-same-origin allow-popups allow-presentation allow-popups-to-escape-sandbox\"><\/iframe><\/span>\n<\/div><\/figure>\n<\/div>\n<\/div>\n\n\n\n<figure class=\"wp-block-gallery aligncenter has-nested-images columns-5 is-cropped wp-block-gallery-1 is-layout-flex wp-block-gallery-is-layout-flex\">\n<figure class=\"wp-block-image size-full\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" width=\"584\" height=\"584\" data-attachment-id=\"3292\" data-permalink=\"https:\/\/www.satyrikon.org\/de\/projects\/don-serial-003\/\" data-orig-file=\"https:\/\/i0.wp.com\/www.satyrikon.org\/wp-content\/uploads\/2012\/03\/don-serial-003-e1472286033833.jpg?fit=584%2C584&amp;ssl=1\" data-orig-size=\"584,584\" data-comments-opened=\"0\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;1&quot;}\" data-image-title=\"don-serial 003\" data-image-description=\"\" data-image-caption=\"\" data-large-file=\"https:\/\/i0.wp.com\/www.satyrikon.org\/wp-content\/uploads\/2012\/03\/don-serial-003-e1472286033833.jpg?fit=584%2C584&amp;ssl=1\" data-id=\"3292\" src=\"https:\/\/i0.wp.com\/www.satyrikon.org\/wp-content\/uploads\/2012\/03\/don-serial-003-e1472286033833.jpg?resize=584%2C584&#038;ssl=1\" alt=\"\" class=\"wp-image-3292\" srcset=\"https:\/\/i0.wp.com\/www.satyrikon.org\/wp-content\/uploads\/2012\/03\/don-serial-003-e1472286033833.jpg?w=584&amp;ssl=1 584w, https:\/\/i0.wp.com\/www.satyrikon.org\/wp-content\/uploads\/2012\/03\/don-serial-003-e1472286033833.jpg?resize=150%2C150&amp;ssl=1 150w, https:\/\/i0.wp.com\/www.satyrikon.org\/wp-content\/uploads\/2012\/03\/don-serial-003-e1472286033833.jpg?resize=300%2C300&amp;ssl=1 300w\" sizes=\"auto, (max-width: 584px) 100vw, 584px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-full\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" width=\"584\" height=\"584\" data-attachment-id=\"3291\" data-permalink=\"https:\/\/www.satyrikon.org\/de\/projects\/don-serial-002\/\" data-orig-file=\"https:\/\/i0.wp.com\/www.satyrikon.org\/wp-content\/uploads\/2012\/03\/don-serial-002-e1472286083810.jpg?fit=584%2C584&amp;ssl=1\" data-orig-size=\"584,584\" data-comments-opened=\"0\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;1&quot;}\" data-image-title=\"don-serial 002\" data-image-description=\"\" data-image-caption=\"\" data-large-file=\"https:\/\/i0.wp.com\/www.satyrikon.org\/wp-content\/uploads\/2012\/03\/don-serial-002-e1472286083810.jpg?fit=584%2C584&amp;ssl=1\" data-id=\"3291\" src=\"https:\/\/i0.wp.com\/www.satyrikon.org\/wp-content\/uploads\/2012\/03\/don-serial-002-e1472286083810.jpg?resize=584%2C584&#038;ssl=1\" alt=\"\" class=\"wp-image-3291\" srcset=\"https:\/\/i0.wp.com\/www.satyrikon.org\/wp-content\/uploads\/2012\/03\/don-serial-002-e1472286083810.jpg?w=584&amp;ssl=1 584w, https:\/\/i0.wp.com\/www.satyrikon.org\/wp-content\/uploads\/2012\/03\/don-serial-002-e1472286083810.jpg?resize=150%2C150&amp;ssl=1 150w, https:\/\/i0.wp.com\/www.satyrikon.org\/wp-content\/uploads\/2012\/03\/don-serial-002-e1472286083810.jpg?resize=300%2C300&amp;ssl=1 300w\" sizes=\"auto, (max-width: 584px) 100vw, 584px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-full\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" width=\"584\" height=\"584\" data-attachment-id=\"3288\" data-permalink=\"https:\/\/www.satyrikon.org\/de\/projects\/don-serial-007\/\" data-orig-file=\"https:\/\/i0.wp.com\/www.satyrikon.org\/wp-content\/uploads\/2012\/03\/don-serial-007-e1472286154301.jpg?fit=584%2C584&amp;ssl=1\" data-orig-size=\"584,584\" data-comments-opened=\"0\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;1&quot;}\" data-image-title=\"don-serial 007\" data-image-description=\"\" data-image-caption=\"\" data-large-file=\"https:\/\/i0.wp.com\/www.satyrikon.org\/wp-content\/uploads\/2012\/03\/don-serial-007-e1472286154301.jpg?fit=584%2C584&amp;ssl=1\" data-id=\"3288\" src=\"https:\/\/i0.wp.com\/www.satyrikon.org\/wp-content\/uploads\/2012\/03\/don-serial-007-e1472286154301.jpg?resize=584%2C584&#038;ssl=1\" alt=\"\" class=\"wp-image-3288\" srcset=\"https:\/\/i0.wp.com\/www.satyrikon.org\/wp-content\/uploads\/2012\/03\/don-serial-007-e1472286154301.jpg?w=584&amp;ssl=1 584w, https:\/\/i0.wp.com\/www.satyrikon.org\/wp-content\/uploads\/2012\/03\/don-serial-007-e1472286154301.jpg?resize=150%2C150&amp;ssl=1 150w, https:\/\/i0.wp.com\/www.satyrikon.org\/wp-content\/uploads\/2012\/03\/don-serial-007-e1472286154301.jpg?resize=300%2C300&amp;ssl=1 300w\" sizes=\"auto, (max-width: 584px) 100vw, 584px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-full\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" width=\"584\" height=\"584\" data-attachment-id=\"3289\" data-permalink=\"https:\/\/www.satyrikon.org\/de\/projects\/don-serial-008\/\" data-orig-file=\"https:\/\/i0.wp.com\/www.satyrikon.org\/wp-content\/uploads\/2012\/03\/don-serial-008-e1472286123881.jpg?fit=584%2C584&amp;ssl=1\" data-orig-size=\"584,584\" data-comments-opened=\"0\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;1&quot;}\" data-image-title=\"don-serial 008\" data-image-description=\"\" data-image-caption=\"\" data-large-file=\"https:\/\/i0.wp.com\/www.satyrikon.org\/wp-content\/uploads\/2012\/03\/don-serial-008-e1472286123881.jpg?fit=584%2C584&amp;ssl=1\" data-id=\"3289\" src=\"https:\/\/i0.wp.com\/www.satyrikon.org\/wp-content\/uploads\/2012\/03\/don-serial-008-e1472286123881.jpg?resize=584%2C584&#038;ssl=1\" alt=\"\" class=\"wp-image-3289\" srcset=\"https:\/\/i0.wp.com\/www.satyrikon.org\/wp-content\/uploads\/2012\/03\/don-serial-008-e1472286123881.jpg?w=584&amp;ssl=1 584w, https:\/\/i0.wp.com\/www.satyrikon.org\/wp-content\/uploads\/2012\/03\/don-serial-008-e1472286123881.jpg?resize=150%2C150&amp;ssl=1 150w, https:\/\/i0.wp.com\/www.satyrikon.org\/wp-content\/uploads\/2012\/03\/don-serial-008-e1472286123881.jpg?resize=300%2C300&amp;ssl=1 300w\" sizes=\"auto, (max-width: 584px) 100vw, 584px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-full\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" width=\"584\" height=\"584\" data-attachment-id=\"3287\" data-permalink=\"https:\/\/www.satyrikon.org\/de\/projects\/don-serial-006\/\" data-orig-file=\"https:\/\/i0.wp.com\/www.satyrikon.org\/wp-content\/uploads\/2012\/03\/don-serial-006-e1472286184826.jpg?fit=584%2C584&amp;ssl=1\" data-orig-size=\"584,584\" data-comments-opened=\"0\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;1&quot;}\" data-image-title=\"don-serial 006\" data-image-description=\"\" data-image-caption=\"\" data-large-file=\"https:\/\/i0.wp.com\/www.satyrikon.org\/wp-content\/uploads\/2012\/03\/don-serial-006-e1472286184826.jpg?fit=584%2C584&amp;ssl=1\" data-id=\"3287\" src=\"https:\/\/i0.wp.com\/www.satyrikon.org\/wp-content\/uploads\/2012\/03\/don-serial-006-e1472286184826.jpg?resize=584%2C584&#038;ssl=1\" alt=\"\" class=\"wp-image-3287\" srcset=\"https:\/\/i0.wp.com\/www.satyrikon.org\/wp-content\/uploads\/2012\/03\/don-serial-006-e1472286184826.jpg?w=584&amp;ssl=1 584w, https:\/\/i0.wp.com\/www.satyrikon.org\/wp-content\/uploads\/2012\/03\/don-serial-006-e1472286184826.jpg?resize=150%2C150&amp;ssl=1 150w, https:\/\/i0.wp.com\/www.satyrikon.org\/wp-content\/uploads\/2012\/03\/don-serial-006-e1472286184826.jpg?resize=300%2C300&amp;ssl=1 300w\" sizes=\"auto, (max-width: 584px) 100vw, 584px\" \/><\/figure>\n<\/figure>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-d0b3c9c8 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p><em>Don in paradiso.<\/em>&nbsp;Una Venezia degenerata in cloaca: un Don Giovanni invecchiato, mezzo cieco e mezzo sordo, detta il suo necrologio a una giovane sgualdrina, rettificando falsi e svelando la malinconica realt\u00e0 delle sue tragicomiche conquiste.<\/p>\n\n\n\n<p><em>La serial killer.<\/em>&nbsp;Ora X per la sedia elettrica: una pluriomicida con la promessa di una commutazione di pena, a patto che riesca a convincere il pubblico &#8220;di avere agito in ogni singolo caso animata dalle migliori intenzioni&#8221;. Come nelle strofe di una ballata, la serial killer inizia il suo racconto.<\/p>\n\n\n\n<p>La scrittura di Tabori sa alternare cinismo e poesia, con un linguaggio le cui aperture oniriche diventano quasi salvifiche per i personaggi, generando per\u00f2 una catarsi \u2018triste\u2019 e &#8216;scarna&#8217;. Si \u00e8 deciso quindi di ridurre al minimo i mezzi scenici per rendere quanto di scarno e di essenziale \u00e8 nei testi, in cui \u00e8 padrona la parola: sul palco solo una sedia a rotelle, una lampada a stelo, una plafoniera al neon per la ribalta.<\/p>\n\n\n\n<p>Si sono seguite due tracce: su materiale video e musicale, con l&#8217;obiettivo di ricreare un&#8217;atmosfera da film muto con musiche dal vivo, i cui personaggi escono dallo schermo per raccontare al pubblico le loro storie.<\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p>I video creano l\u2019ambiente e riportano agli albori della Storia del Cinema, quando lo scorrere dei fotogrammi fissava le immagini con un che di \u2018mortale\u2019 nella loro precariet\u00e0. Un ritorno al grembo materno tanto desiderato per Don John, dietro cui scorrono i fotogrammi di una cronofotografia di Muybridge. Una sorta di excursus parallelo a quello dei presunti delitti per la serial killer, con frammenti da i Lumi\u00e8re, Bu\u00f1uel, Man Ray, per chiudere con la moderna e nostalgica animazione di Teruhiko FUJII, che ci \u00e8 sembrato il modo meno didascalico per rimandare al tema della sho\u00e0, ricorrente in tutta la produzione di Tabori e rievocato nell\u2019ultima scena della Serial Killer.<\/p>\n\n\n\n<p>La musica scandisce il racconto. Don John \u00e8 legato a due predecessori: quello mozartiano (di cui per\u00f2 si \u00e8 scelto il <em>Requiem<\/em>) e quello felliniano, da cui le musiche di Nino Rota. Il monologo diventa un melologo in cui Mozart e Rota contribuiscono all\u2019esaltazione del cinismo e del ridicolo della perfezione. Con la serial killer la musica \u00e8 dal vivo, grazie al pianista jazz Angelo Conto. Spesso improvvisata, con parti cantate e rielaborazioni al limite tra grottesco e ridicolo, la musica segue un percorso \u2018per disgregazione\u2019, \u2018rarefazione\u2019, ed \u00e8 sostegno fondamentale a un testo dall\u2019abbrivio cabarettistico, apparentemente comico e \u2018semplice\u2019, ma che chiude riflessivo e malinconico, quasi trascrizione del sogno di un clown triste.<\/p>\n<\/div>\n<\/div>\n\n\n\n<div style=\"height:20px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<h3 class=\"wp-block-heading has-text-align-center has-cormorant-unicase-font-family\">rassegna stampa<\/h3>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-d0b3c9c8 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p>Momenti teatrali pretesto per un&#8217;accorata riflessione sulla morte, racconti pervasi da una sottile malinconia di fondo in cui si intuisce la precariet\u00e0 di un&#8217;esistenza non pi\u00f9 in mano al singolo individuo: la coppia Cortese \u2013 Nasi, accompagnata dal commento musicale di Angelo Conto, ben si disimpegna in scena con la parola dell&#8217;autore. [Roberto Canavesi su&nbsp;<a title=\"leggi la recensione completa\" href=\"http:\/\/www.teatroteatro.it\/recensioni_dettaglio.aspx?uart=3108&amp;idrap=5175\" target=\"_blank\" rel=\"noopener\">www.teatroteatro.it<\/a>]<\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p>Simona Nasi e Roberta Cortese si confermano due brave attrici, in uno spettacolo lineare che esalta la parola. Unico supporto il pianoforte elettrico di Angelo Conto, puntuale contrappunto ai racconti. [Stefania Arcudi su&nbsp;<a title=\"leggi la recensione completa\" href=\"http:\/\/www.klpteatro.it\/index.php?option=com_content&amp;view=article&amp;id=2237:don-in-paradiso-serial-killer-nasi-cortese-tabori&amp;catid=107:2011&amp;Itemid=153\" target=\"_blank\" rel=\"noopener\">www.klpteatro.it<\/a>]<\/p>\n<\/div>\n<\/div>\n\n\n\n<figure class=\"wp-block-image aligncenter size-full\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" width=\"1280\" height=\"720\" data-attachment-id=\"4390\" data-permalink=\"https:\/\/www.satyrikon.org\/de\/projects\/don-in-paradiso-la-serial-killer\/don-serial_1280x720\/\" data-orig-file=\"https:\/\/i0.wp.com\/www.satyrikon.org\/wp-content\/uploads\/2016\/08\/don-serial_1280x720.jpg?fit=1280%2C720&amp;ssl=1\" data-orig-size=\"1280,720\" data-comments-opened=\"0\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"don-serial_1280x720\" data-image-description=\"\" data-image-caption=\"\" data-large-file=\"https:\/\/i0.wp.com\/www.satyrikon.org\/wp-content\/uploads\/2016\/08\/don-serial_1280x720.jpg?fit=1024%2C576&amp;ssl=1\" src=\"https:\/\/i0.wp.com\/www.satyrikon.org\/wp-content\/uploads\/2016\/08\/don-serial_1280x720.jpg?resize=1280%2C720&#038;ssl=1\" alt=\"\" class=\"wp-image-4390\" srcset=\"https:\/\/i0.wp.com\/www.satyrikon.org\/wp-content\/uploads\/2016\/08\/don-serial_1280x720.jpg?w=1280&amp;ssl=1 1280w, https:\/\/i0.wp.com\/www.satyrikon.org\/wp-content\/uploads\/2016\/08\/don-serial_1280x720.jpg?resize=300%2C169&amp;ssl=1 300w, https:\/\/i0.wp.com\/www.satyrikon.org\/wp-content\/uploads\/2016\/08\/don-serial_1280x720.jpg?resize=1024%2C576&amp;ssl=1 1024w, https:\/\/i0.wp.com\/www.satyrikon.org\/wp-content\/uploads\/2016\/08\/don-serial_1280x720.jpg?resize=768%2C432&amp;ssl=1 768w\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\" \/><figcaption class=\"wp-element-caption\">\u00a9 Roberta Cortese &amp; Simona Nasi<\/figcaption><\/figure>\n","protected":false},"excerpt":{"rendered":"<p>zwei Einakter von George Tabori<\/p>","protected":false},"author":1,"featured_media":4390,"comment_status":"closed","ping_status":"closed","template":"wp-custom-template-single-portfolio-header-feat-img","meta":{"footnotes":""},"portfolio_category":[296],"portfolio_tag":[906,904,907,917,853,905],"class_list":["post-3547","portfolio","type-portfolio","status-publish","has-post-thumbnail","hentry","portfolio_category-performance","portfolio_tag-angelo-conto","portfolio_tag-george-tabori","portfolio_tag-mise-en-espace","portfolio_tag-pianoforte","portfolio_tag-roberta-cortese","portfolio_tag-simona-nasi"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.6 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Don in Paradiso - La Serial Killer &#183; Satyrikon<\/title>\n<meta name=\"description\" content=\"Due atti unici di George Tabori dal trittico &quot;Die Massenm\u00f6rderin und ihre Freunde&quot; 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