{"id":3546,"date":"2016-08-25T13:37:08","date_gmt":"2016-08-25T11:37:08","guid":{"rendered":"http:\/\/www.satyrikon.org\/?post_type=portfolio&#038;p=3546"},"modified":"2025-07-03T19:03:02","modified_gmt":"2025-07-03T17:03:02","slug":"full-metal-kids","status":"publish","type":"portfolio","link":"https:\/\/www.satyrikon.org\/de\/projects\/full-metal-kids\/","title":{"rendered":"Full Metal Kids"},"content":{"rendered":"\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-d0b3c9c8 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p class=\"has-text-align-right\">melologo scenico sulla&nbsp;<em>Suite N.1<\/em>&nbsp;per violoncello solo di J.S. Bach<br>a cura di e con Roberta Cortese<br>al violoncello Claudia Ravetto<br>disegno luci Luigi Chiarella<\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p class=\"has-small-font-size\"><em>prima assoluta: 26.03.11, Teatro dell&#8217;Acquario Cosenza &#8211; anteprima in lettura: 10.12.08 Teatro della Concordia di Venaria Reale per il 60\u00b0 anniversario della Dichiarazione Universale dei Diritti Umani<\/em><\/p>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-d0b3c9c8 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p>Full Metal Kids \u00e8 innanzi tutto una presa di posizione nei confronti dello sfruttamento dell&#8217;infanzia da parte del potere degli adulti. <em>Viaggio al termine della notte<\/em> di C\u00e9line funge qui da pre-testo per far emergere la voce di una donna che racconta la propria esperienza di bambina-soldato, simile a quella di migliaia di altri bambine e bambini. L&#8217;esperienza con cui \u00e8 costretta a convivere e agire anche nella sua nuova vita \u2013 la vita a cui non ha voluto, nonostante tutto, rinunciare. Il messaggio finale: stare in guardia rispetto alla retorica dei tempi, dei potenti, delle istituzioni e del loro amore per le masse.<\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p>Full Metal Kids \u00e8 stato rappresentato a Cosenza assieme ad un altro melologo per voce e violoncello, <a href=\"https:\/\/www.satyrikon.org\/de\/portfolio\/paese-senza-parole-ten-preludes\/\">Paese senza parole<\/a> di Dea Loher. Unico oggetto di scena per entrambi i melologi: un quaderno. Nel caso di Loher, il diario dell&#8217;artista, in cui cerca le risposte alle sue domande. Per Chiarella, un taccuino che viene rilegato a mano sul palco, con pagine bianche per una nuova vita.<\/p>\n\n\n\n<p>Full Metal Kids sostiene il progetto Unicef Sud Sudan per il recupero degli ex-bambini soldato<\/p>\n<\/div>\n<\/div>\n\n\n\n<figure class=\"wp-block-gallery has-nested-images columns-2 is-cropped wp-block-gallery-1 is-layout-flex wp-block-gallery-is-layout-flex\">\n<figure class=\"wp-block-image size-full\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" width=\"720\" height=\"479\" data-attachment-id=\"3316\" data-permalink=\"https:\/\/www.satyrikon.org\/de\/projects\/215603_212686905409319_100000040329898_861916_3599404_n\/\" data-orig-file=\"https:\/\/i0.wp.com\/www.satyrikon.org\/wp-content\/uploads\/2012\/03\/215603_212686905409319_100000040329898_861916_3599404_n.jpg?fit=720%2C479&amp;ssl=1\" data-orig-size=\"720,479\" data-comments-opened=\"0\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"215603_212686905409319_100000040329898_861916_3599404_n\" data-image-description=\"\" data-image-caption=\"\" data-large-file=\"https:\/\/i0.wp.com\/www.satyrikon.org\/wp-content\/uploads\/2012\/03\/215603_212686905409319_100000040329898_861916_3599404_n.jpg?fit=720%2C479&amp;ssl=1\" data-id=\"3316\" src=\"https:\/\/i0.wp.com\/www.satyrikon.org\/wp-content\/uploads\/2012\/03\/215603_212686905409319_100000040329898_861916_3599404_n.jpg?resize=720%2C479&#038;ssl=1\" alt=\"\" class=\"wp-image-3316\" srcset=\"https:\/\/i0.wp.com\/www.satyrikon.org\/wp-content\/uploads\/2012\/03\/215603_212686905409319_100000040329898_861916_3599404_n.jpg?w=720&amp;ssl=1 720w, https:\/\/i0.wp.com\/www.satyrikon.org\/wp-content\/uploads\/2012\/03\/215603_212686905409319_100000040329898_861916_3599404_n.jpg?resize=300%2C200&amp;ssl=1 300w\" sizes=\"auto, (max-width: 720px) 100vw, 720px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-full\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" width=\"475\" height=\"720\" data-attachment-id=\"3312\" data-permalink=\"https:\/\/www.satyrikon.org\/de\/projects\/206982_212686418742701_100000040329898_861897_155581_n\/\" data-orig-file=\"https:\/\/i0.wp.com\/www.satyrikon.org\/wp-content\/uploads\/2012\/03\/206982_212686418742701_100000040329898_861897_155581_n.jpg?fit=475%2C720&amp;ssl=1\" data-orig-size=\"475,720\" data-comments-opened=\"0\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"206982_212686418742701_100000040329898_861897_155581_n\" data-image-description=\"\" data-image-caption=\"\" data-large-file=\"https:\/\/i0.wp.com\/www.satyrikon.org\/wp-content\/uploads\/2012\/03\/206982_212686418742701_100000040329898_861897_155581_n.jpg?fit=475%2C720&amp;ssl=1\" data-id=\"3312\" src=\"https:\/\/i0.wp.com\/www.satyrikon.org\/wp-content\/uploads\/2012\/03\/206982_212686418742701_100000040329898_861897_155581_n.jpg?resize=475%2C720&#038;ssl=1\" alt=\"\" class=\"wp-image-3312\" srcset=\"https:\/\/i0.wp.com\/www.satyrikon.org\/wp-content\/uploads\/2012\/03\/206982_212686418742701_100000040329898_861897_155581_n.jpg?w=475&amp;ssl=1 475w, https:\/\/i0.wp.com\/www.satyrikon.org\/wp-content\/uploads\/2012\/03\/206982_212686418742701_100000040329898_861897_155581_n.jpg?resize=198%2C300&amp;ssl=1 198w\" sizes=\"auto, (max-width: 475px) 100vw, 475px\" \/><\/figure>\n<\/figure>\n\n\n\n<p class=\"has-text-align-center has-small-font-size\">Foto di scena \u00a9 Carmelo Giordano<\/p>\n\n\n\n<h3 class=\"wp-block-heading has-text-align-center has-cormorant-unicase-font-family\">bibliografia<\/h3>\n\n\n\n<p>Giulio Albanese, <em>Soldatini di piombo. La questione dei bambini soldato<\/em>, Feltrinelli, Milano 2007.<br>Ishmael Beah, <em>Memorie di un soldato bambino<\/em>, Neri Pozza, Vicenza 2007.<br>Luciano Bertozzi, <em>I bambini soldato. Lo sfruttamento globale dell&#8217;infanzia<\/em>, EMI, Citt\u00e0 di Castello 2003.<br>L.F. C\u00e9line, <em>Viaggio al termine della Notte<\/em>, Corbaccio, Milano 2007 [1953].<br>Uzodinma Iweala, <em>Bestie senza una patria<\/em>, Einaudi, Torino 2006.<br>China Keitetsi, <em>Una bambina soldato. Vittima e carnefice nell&#8217;inferno dell&#8217;Uganda<\/em>, Marsilio, Venezia 2008.<br>Ahmadou Kourouma, <em>Allah non \u00e8 mica obbligato<\/em>, e\/o, Roma 2002.<br>Aki Ra, <em>Non calpestate le farfalle<\/em>, Sperling &amp; Kupfer, 2007.<br>David M. Rosen, <em>Un esercito di bambini. Giovani soldati nei conflitti internazionali<\/em>, Raffaello Cortina, Milano 2007.<br>Ken Saro-Wiwa, <em>Sozaboy<\/em>, Baldini Castoldi Dalai, Milano 2005.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Luigi Chiarella + J.S. Bach: ein Melolog<\/p>","protected":false},"author":1,"featured_media":4392,"comment_status":"closed","ping_status":"closed","template":"wp-custom-template-single-portfolio-header-feat-img","meta":{"footnotes":""},"portfolio_category":[296],"portfolio_tag":[910,916,897,908,857,909],"class_list":["post-3546","portfolio","type-portfolio","status-publish","has-post-thumbnail","hentry","portfolio_category-performance","portfolio_tag-bambini-soldato","portfolio_tag-claudia-ravetto","portfolio_tag-luigi-chiarella","portfolio_tag-melologo","portfolio_tag-monologo","portfolio_tag-violoncello"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.4 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Full Metal Kids &#183; Satyrikon<\/title>\n<meta name=\"description\" content=\"Un melologo costruito sul testo di Luigi Chiarella e la Suite N.1\u00a0per violoncello di J.S. 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